work
30Years of Sound, Shift, and Survival.
The past shaped me. The present moves me. The future? That’s yours.
THE PRESENT
Thursday – “White Bikes” (2024)
Role: Bassist, Producer, Mixing, Songwriting
“If ‘Application for Release’ was meant to signal that Thursday’s still got it, ‘White Bikes’ makes it clear that they won’t just be retreading old ground…” — The Alternative
Recorded and Shot at the legendary Hansa Studios, Berlin.
My Music
Music I’ve written, produced, mixed, performed, or shaped from the inside out. My Art, My Bands, My people.
Thursday – “Taking Inventory of a Frozen Lake” (2025)
Role: Producer, Mixing, Songwriting
“A sweeping arrangement that hits hard with high drama… I think this is the best one yet.” — Stereogum
No Devotion – “Starlings” (2022)
Role: Bassist, Keyboards, Songwriter, Producer, Mixing.
“Produced and mixed by Stuart Richardson… a haunting and explosive song.” — Stereogum
No Devotion – No Oblivion (2022)
Role: Bassist, Keys,Drum Programming,Songwriter, Producer, Mixing
“Disarmingly honest… each song is filled with tics and understated nuance….A record that’s dark, bruised, and beautiful.” — Punktastic
No Devotion – “Break” (2015)
Role: Songwriter, Producer, Keys, Bass, Drum Programming .
Featured in the 2024 Blumhouse/Universal Pictures film *Night Swim* — used in a key scene that sets the emotional tone of the story.
Dark. Haunting. Exactly where it belongs.
No Devotion – Permanence (2015)
Role: Songwriter, Producer, Bassist,Keys ,Guitar, Drum Programming
“….so perfect, it takes 15 minutes after it’s done playing for the hair on the back of my neck to settle down… Simply put, No Devotion’s Permanence is one of the yea…uh, century’s best debuts.” — Jason Pettigrew, Alternative Press
Album of the Year – Kerrang! Awards, 2016
SWIMM – “Window’s Up” (2020)
Role: Mixing Engineer
“An obscured earworm of a time… a soundtrack to your life you didn’t even realize you needed.”
— LADYGUNN
Pain Hustlers – TEASER Trailer (2023)
Role: Trailer Music Mix Engineer (via Riptide Music Group)
Mixed the music for the official teaser trailer of Netflix’s *Pain Hustlers*, starring Emily Blunt and Chris Evans.
Hether Fortune – “Sister” (2019)
Role: Mixing Engineer
“A modern outlaw song… a singular explosion.”
— Rolling Stone
THE SPRING -"PURSUITS’ (2020)
Role: Producer,Mixing Engineer
Dreamy textures and layered emotion—catching that moment where hope and nostalgia collide.
The Gangly Youth – “More”(2023)
Role: Producer, Mixing Engineer.
Live raw honesty, Lo-fi intimacy,
Built to feel like a voice just inches from your ear.
Hether Fortune – “Birds of Prey” (2019)
Role: Mixing Engineer
A slow-burn anthem with grit and grace—built to simmer, not explode.
Vanishing Life – “Forgiven/Forgotten” (2016)
Role: Mixing Engineer
What does it sound like when members of Quicksand, Rise Against, and Trail of Dead cover Angel Olsen?
Urgent, raw, and still beautiful
Sick Feeling – “Liberal Arts” (2016)
Role: Mixing Engineer
“A mixture of blistering punk desperation and high-art conceptualism… strangely hypnotic throughout.”
— Spin Magazine
The rawest tracks from the realest band—mixed with intention, not polish.
Featuring Don Devore (The Icarus Line, Ink & Dagger), this is art-punk chaos sculpted with love.
Bars and Melody – “A Thousand Years” (2017)
Role: Songwriter,Co- Producer.
Didn’t think I’d end up writing a song for a Britain’s Got Talent act handpicked by Simon Cowell — but here we are -
36 million views. 80 million streams later.
Attack! Attack! uk – You and Me (2008)
Role: Producer, Songwriter, Engineer, Mixing.
A relentless fusion of energy and hooks, polished to perfection.
— Kerrang!
Thursday – “Application for Release From the Dream” (2024)
Role: Producer, Mixing Engineer, Co-Songwriter
“Thursday find their new dimension on first song in 13 years.”
— BrooklynVegan
Built on trust and a weight of expectations.
Our first song together — and their first new song in 13 years.
One of the most meaningful collaborations of my life.
THE PAST
My breakthrough — my breaking point.
These albums launched my career, built my ethos, and shaped the integrity that would follow.
They taught me the craft, the cost, and what it means to keep going when everything else falls apart.
The Fake Sound of Progress (2000)
Role: Songwriter, Bass, MPC
The debut that lit the fuse. Raw and unfiltered, it launched a global career from a tiny room in Wales.
NME Award – Best Metal Band
Start Something (2004)
Role: Songwriter, Bass, MPC
The breakthrough. A defiant, pop-forward record that caught fire.
Kerrang! Awards, Gold records, headlining international tours, supporting Metallica across Europe.
The start of something much bigger than we expected.
Liberation Transmission (2006)
Role: Songwriter, Bass
Festival headliners. Arena tours. Platinum records.
“Rooftops” became an anthem — and the band became a movement.
The Betrayed (2010)
Role: Songwriter, Bass, Producer, Mixing Engineer
Born from tension and rebirth. Born from tension and rebirth. Our first self-produced record—before self-producing became the norm—darker, heavier, and more personal than anything before
Kerrang! Classic Songwriter Award
Weapons (2012)
Role: Songwriter, Bass, Co-Creative Direction
The band wasn’t getting along. The spark was dimming.
I chose Ken Andrews (Failure) to produce — hoping a fresh voice could pull us back together.
The record got made. But this was the beginning of the end.
This chapter ended, but what I built during those years — the sound, the process, the belief — never left.
You carry the good forward. You leave the rest behind.
THE FUTURE
I don’t know what we’ll make—but if it matters to you, it’ll matter to me…….
If you are finally ready for someone to listen-
“The future is unwritten.”
— Joe Strummer